Biography of a Long Island Town and the effect of American events on its development

Biography of Bill Gates, Co-Founder of Microsoft

Biography of Bill Gates, Co-Founder of Microsoft Bill Gates (born Oct. 28, 1955) is the principal co-founder of Microsoft Corp., the world’s largest personal-computer software company and one of the largest and most influential technology companies in the world. Since he stepped down as chairman of Microsoft Corp., he has focused on and contributed billions of dollars to several charities, especially the Bill Melinda Gates Foundation, the worlds largest private charitable foundation. Fast Facts: Bill Gates Known For: Co-founder of MicrosoftAlso Known As: William Henry Gates IIIBorn: Oct. 28, 1955  in Seattle,  WashingtonParents: William H. Gates Sr., Mary MaxwellPublished Software: MS-DOSSpouse: Melinda French GatesChildren: Jennifer, Rory, PhoebeNotable Quote: I think its fair to say that personal computers have become the most empowering tool weve ever created. Theyre tools of communication, theyre tools of creativity, and they can be shaped by their user. Early Life Bill Gates (full name: William Henry Gates III) was born on Oct. 28, 1955, in Seattle, Washington, the son of William H. Gates Sr., an attorney, and Mary Maxwell, a businesswoman and bank executive who served  on the University of Washington Board of Regents from 1975 to 1993. He has two sisters. Gates wrote his first  software  program at 13 and in high school  was part of a group, which also included childhood friend Paul Allen, that computerized their school’s payroll system and developed Traf-O-Data, a traffic-counting system that they sold to local governments. Gates and Allen wanted to start their own company immediately, but Gates parents wanted him to finish high school and go on to college, hoping he eventually would become a lawyer. In 1975 Gates, then a sophomore at  Harvard University in Boston, Massachusetts, joined Allen, who was working as a programmer for Honeywell near Boston, to write software for the first  microcomputers, later called PCs. They started by adapting  BASIC, a popular programming language for large computers. Starting Microsoft With the success of this project, Gates left Harvard during his junior year and, with Allen, moved to Albuquerque, New Mexico, planning to develop software for the newly emerging personal computer market. In 1975 they started what Allen named Micro-Soft by combining micro from microcomputers and soft from software. The hyphen later was dropped. In 1979, they moved the company to Bellevue, Washington, just east of Seattle. Microsoft became famous for its computer operating systems and killer business deals. In 1980, Gates and Allen licensed an  operating system  called  MS-DOS  to IBM, at the time the worlds largest computer maker, for its first microcomputer, the  IBM PC. They were smart enough to retain the right to license the operating system to other companies, which eventually made them a fortune. Finding Success By 1983, the year Allen left the company for health reasons, Microsofts reach had become global with offices in Great Britain and Japan and 30% of the worlds computers running on its software. A few years earlier, Gates had developed a partnership with Apple to work on some shared projects. Gates soon realized that Apples graphics interface, which displayed text and images on the screen and was driven by a mouse, appealed to the average user more than Microsofts text-and-keyboard-driven MS-DOS system. He launched an ad campaign claiming that Microsoft was developing an operating system that would use a graphic interface similar to Apples products. Called Windows, it would be compatible with all MS-DOS system software. The announcement was a bluff- Microsoft had no such program under development- but it was sheer genius as a marketing tactic: It would encourage people using MS-DOS to wait for new Windows software releases instead of changing to another system, such as Apples Macintosh. In November 1985, nearly two years after his announcement, Gates and Microsoft launched Windows.  Then, in 1989, Microsoft launched Microsoft Office, which bundled office applications such as Microsoft Word and Excel into one system. Perils of Success All the while, Gates was defending Microsoft against lawsuits and Federal Trade Commission and Department of Justice investigations of claims charging unfair dealings with computer manufacturers. Yet the innovation continued. Windows 95 was launched in 1995 and in 2001 Microsoft debuted the original Xbox gaming system. Microsoft appeared untouchable. In 2000, Gates stepped down as Microsoft CEO and was succeeded by Harvard friend and longtime Microsoft executive Steve Ballmer. Gates assumed the new role of chief software architect. In 2008 Gates left his daily job at Microsoft but retained his position as board chairman until 2014, when he stepped down as chairman but retained a board seat and began serving as technology adviser. Marriage and Family On Jan. 1, 1994, Gates married Melinda French, who has an MBA and a bachelors degree in computer science and met him while she was working at Microsoft. They have three children- Jennifer, Rory, and Phoebe- and live in Xanadu 2.0,  a  66,000-square-foot mansion overlooking Lake Washington  in  Medina, Washington. Philanthropy Gates and his wife founded the Bill Melinda Gates Foundation with the mission of improving the quality of life for people around the world, primarily in the areas of global health and learning. Their initiatives have ranged from funding tuition for 20,000 college students to installing 47,000 computers in 11,000 libraries in all 50 states. In 2005, Bill and Melinda Gates and rock star Bono were named Time magazine persons of the year for their charitable work. According to the foundations website, in 2019, the foundation had made nearly $65 million in grants by mid-April to recipients around the world. The foundation is led by CEO Sue Desmond-Hellmann and co-chair William H. Gates Sr., under the direction of Bill and Melinda Gates and Warren Buffett. Legacy Back when Bill Gates and Paul Allen announced their  intention to put a computer in every home and on every desktop, most people scoffed. Until then, only the government and large corporations could afford computers. But within only a few decades, Gates and Microsoft had indeed brought computer power to the people. Gates also has had an impact on millions of people throughout the world with his charitable efforts, especially with the Bill Melinda Gates Foundation, and he has made large personal donations to a number of educational institutions. Sources About Bill. Gatesnotes.com.Bill Gates: American Computer Programmer, Businessman, and Philanthropist. Encyclopedia Britannica.Bill Gates Biography: Entrepreneur, Philanthropist. Biography.com.Awarded Grants. Gatesfoundation.org.

The Life and Works of Werner Heisenberg Essay Example | Topics and Well Written Essays - 1250 words

The Life and Works of Werner Heisenberg - Essay Example But his work focused on the uncertainty principle in quantum theory that had become the basis for his own philosophy. In 1932, Heisenberg was awarded the Nobel Prize in Physics for his â€Å"creation of the quantum physics.†2 Heisenberg also made significant contributions to many other subjects in Physics such as hydrodynamics of the turbulent flows, ferromagnetism, cosmic rays, and subatomic particles. In 1925, he described the matrix formulation of quantum mechanics together with Max Born and Pascual Jordan.3 Subsequent to World War II, Heisenberg was selected as director of the Kaiser Wilhelm Institute of Physics – now called the Max Planck Institute for Physics. He is also extensively famous as the key person to spearhead the nuclear fission research in Germany during the World War II. At the conclusion of the war, Heisenberg concentrated on elementary particle physics. Early Life and Education Werner Karl Heisenberg was born on the 5th of December 1901 in Wurzburg, Germany. He was the son of Dr. August Heisenberg, a high school teacher of classical languages, and Anna Wecklein Heisenberg.4 He had a brother named Erwin who was a chemist. Werner showed early interest in mathematics and physics and in 1920, he enrolled at the Ludwig-Maximilian-Universitat Munchen under the supervision of Arnold Sommerfeld and Wilhelm Wien; however, during the winter of 1922-1923, Wilhelm went on to study at University of Munich in which he studied physics with Max Born and James Franck, and studied mathematics with David Hilbert. In 1923, he finally received his doctorate degree at the University of Munich under the guidance of Arnold Sommerfeld.5 At school, Heisenberg showed an extraordinary level of self-confidence and willingness to excel, as commented by one school teacher who had seen his potential.6 Another school teacher observed that Heisenberg is â€Å"more developed toward the side of rationality than a fantasy and imagination†7 – a quali ty that is common among scientists. But these qualities seemed to have been suppressed initially by Heisenberg as he tended to be â€Å"shy and sensitive at first.†8 However, as the school year progressed, he turned out to become more self-confident than ever. Heisenberg’s father would always set up a competition between him and his brother, which continued as they grew older. Obviously, it is one reason why Werner tops his class, particularly in mathematics and physics.9 Sommerfeld noticed Heisenberg’s interests in Niels Bohr’s theories in atomic physics so he took the initiative to bring Heisenberg to the Bohr’s Festival in 1922. For the first time, Heisenberg was able to see and hear Niels Bohr in person as Bohr gave a series of lectures about atomic physics. That encounter flared up Heisenberg’s interest in discovering more about the mysteries of physics.10 Early Career Between the years 1924 and 1925, Werner had the chance to work with probably one of his greatest influences, Niels Bohr, at the University of Copenhagen under a Rockefeller grant. In 1925, Werner went back to Gottingen. In 1926, Werner was designated to his first teaching position as a theoretical physics lecturer at the University of Copenhagen under the direction of Niels Bohr.11 In the following year, Werner received another teaching position as Professor of Theoretical Physics at the University of Leipzig when he was only 26 years old.12 His latest tenure as a Professor of Theoretical Physics would allow him to set off a lecture tour to the United

Economics of multinational enterprise Term Paper

Economics of multinational enterprise - Term Paper Example If the terms of trade of a country are much closer to one country pre-trade price ratio the greater the gains than the other country hence such a country is likely to specialize in the production of such a commodity. Increase in production will employ a large labor force hence a rise in real income of the favored country’s citizens making them raise their consumption as a result (Beg & Manoj pg41-3). Perfect competition model produces products which are naturally homogenous and identical by definition having no brand name or trademarks hence consumers only choose on the basis of price. The industry has infinite number of firms hence the fewer the firms the larger is each firm. Firms can freely enter and exit the market since there are no legal or artificial barriers. All the participants in the market have perfect knowledge or complete information about the market hence farmers are aware of the demand and supply changes conditions. The firms are in return able to predict the future prices, demand and supply conditions. Such a market is not dwelt on much by economists as it is not realistic. In between PC and monopoly lies the oligopoly which means few sellers hence each firm is relatively large or giant in size. The degree of oligopoly is actually measured by the percentage of industry output. Products here are differentiated hence can be easily distinguished. Though they are open markets but they can at times be closed by some government regulation (Beg & Manoj pg 174-8). (a) Price elasticity demand is the extent to which demand can change with reference to the changes in prices, depending on the type of elasticity change in demand may be high or low. If changes in price do not affect demand negatively then demand may increase to an extent that multinationalization is realized. (b) Trade costs are additions to the overall costs of operations while market shares depend on the ability of firm to

Job Evaluation, Market Pricing & Pay Structures Term Paper

Job Evaluation, Market Pricing & Pay Structures - Term Paper Example Job evaluation approach Job evaluation approach to set pay range ranks the job on the basis of responsibilities and duties expected by the position to perform. This evaluation technique helps the organization to select a pay grade that is a pay range with minimum and maximum rate. This approach evaluates a job on the basis of four factors which are skills possessed by the individual, efforts made by the individual, responsibilities performed by the individual and working conditions of the individual (Armstrong, 2007). (Jenss & Associates) On the basis of above factors organizations design pay structures, although there are many variations in this process but all organizations using this techniques follow the same approach which is to define each job in the group on the basis of above discussed generic factors. The first step in this approach is to decide which job to be covered in the evaluation and what factors are to be used to evaluate, second step is to gather information about e ach job to be evaluated, third step is to rate each job evaluation factors of the job, and the step four in the process is to select the benchmark jobs among jobs selected for evaluation which connects internal pay structure with external labor market (Armstrong, 2007). ... This method is quite expensive, complex and hard to understandable for employees. The major drawback of this approach is that it rewards tenure and efforts rather than outcomes and performances which are quite unjustifiable (Armstrong and Brown, 2001). Market pricing approach Market pricing approach sets pay scale according to the prevailing market rate of the pay for similar job, this approach is the most dominant and common way organizations use to determine pay scales. Evolution of this method to sets pay scale has shifted the organization’s focus from internal methods to use market data to sets pay scale. This approach place jobs in grades based on the level of competitive pay for different jobs, in this way it also decreases the level of grades and makes the job and pay structure simple (Armstrong, 2007). This method sets pay scale for selected job position and its description on the prevailing market rate. In this way organizations stay competitive and are able to retain their employees for long. This approach is comparatively less expensive and easily understandable for employees, this approach also reduces disputes between employees regarding pay scale. It evaluates jobs on results and accountability rather than efforts and tenure (Heneman and LeBlanc, 2002). There is a major drawback with this approach; if the market data is not available for the job position for which pay scale needed to be set than it becomes very hard and complicated for the organizations to set pay scale; Secondly this approach can result in statistical errors such as to place the job in wrong grade; thirdly this approach is highly dependent upon market survey, any lacking or error in the survey can result in disaster and wrong placement of jobs.

Visual Effects And Post Modernism In Logo Design Arts Essay

Visual Effects And Post Modernism In Logo Design Arts Essay The designing of logo is a particular aesthetic activity that is related to the special techniques under the modern cultural environment. An analysis of the special techniques used by modern designers reflects the fact that visual design devices are heavily influenced by new techniques, which in turn are impacted by the new features of life and thinking of the contemporary people. The visual effects of these works, as will be analyzed in the latter parts of this essay, imply that the influence of new notions and ideas concerning visual design are achieving profound impacts on the formation of designing philosophy of modern designers. It is as well an important trend of becoming a more complicated cultural phenomenon that is in turn impacting the aesthetic changes of the audience of logo designing as well (Bruner, J. 1990). In its very essence, the core of logo designing is the use of the most effective means to communicate with the audience about the needs, ideas as well as the effectiveness of the designing. To a large extent, such effectiveness is depended on the personal understanding of the visual effects by the designers. For many professional designers, they have to observe two aspects of things so as to achieve this effectiveness. On the one hand, they have to fully understand the inner mechanism of human beings in accepting visual information and on the other hand, they have to beware how designing can be effective in catching the attention of the audience (Bethel, E. et al 2003). It is only based on these two aspects that designing work can be regarded successful; otherwise it can not be possible to ensure the fidelity of the designing job. In many fields of designing, such as fashion design, mechanic design, architecture design or software design, designers have to pay attention to the combin ed effectiveness of these two aspects. In public facility design, since this type of design is closely related to the concentration of large audience, the visual designing problem seems to be more crucial for the success designing job. This essay will conduct a detailed analysis on the visual effects of logo design by observing the special techniques used. 2. Principles of visual design in logos By and large, the principles used in logo design reflects the peculiar needs to arouse the cultural feelings of the audience. That is to say, the purpose of logo design is to arouse up the cultural recognition of the audience toward a certain product or a certain idea (Tu, Zhuowen, Zhu, Song C. 2002). This is a cultural experience closely associated with the aesthetic feelings of the contemporary people, who, by being exposed to different visual effects in their busy life, have a strong aptitude to the understanding of colors and lights in the modern environment where different types of mass media are available in conveying these colors and lights. So, one of the major features of aesthetic feelings of modern people is their strong visual sense to recognize the implications of visual effectiveness. In logo design, for instance, both commercially and non-commercially, people can find some similarities related to the visual effectiveness and the implied significance represented by the colors and the visual effects. For instance, the double arches of MacDonald can be seen a best example to represent the relationship between the colors and the visual effects. So, by and large, this can be regarded as a special cultural aptitude of the people living at the contemporary time. Logo design necessarily involves the methods that help to popularize the influence of a product or an idea. It is important because it is believed by people to be the most effective and convenient way to make a brand or an idea better known to the public. A successful logo design can help the people know the implied feelings within the logo influence. In commerce, for instance, many famous brands in the world will are successful in designing an attractive logo that helps the business development and marketing expansion in the world, such as Coca Cola and Pepsi so and so forth. The success of a logo design is the combination of both artistic exhibition and idea promotion. This has been shown by many successful cases. To understand the function of visual design, we should first of all understand the influence of the artistic implication. That is to say, logo design should be guided by a conception that suits the specific culture and notion of the thing the logo represents. The behavior of artistic appreciation is in practice an activity of both ration and emotion. Thus, logo design should embrace the feelings, thinking, behavior and psychology of the audience. Based on this principle, logo design should be novel and unique. To achieve this, designers should analyze the psychological elements of the audience at the first place. Generally, to make a logo more attractive, creativity, fashion, individuality and aesthetics are the four major principles to be observed by logo (Lynch, Kevin. 1984). These are also the basic principles in visual designing problem too. I. Creativity Novel and creative thinking easily stimulates the attention and interest of the audience. This is the first important principle of logo design. Creativity comes from the careful observation of life and an imitation of peoples psychological tendency to accept the product. It is only through unique characteristic of the product can be attractive and creative. Take the following design for example: This is an advertisement of watchmaker IWC. In this design, we can see that bus straps have been comically fashioned from the striking images of IWCs Big Pilots Watch. The advantage of this design immediately attracts audiences by its novelty and creativity. People watching the advertisement all have the pulse to try the bus strap. In this way, the advertisement successfully stimulates the consumers psychological curiosity. II. Fashion The principle of fashion is not just to catch the attention of the audience. If so, anything that is colossal and unique would achieve this goal. To logo designers, fashion means the quality of meeting such psychological demand of the audience as curiosity and satisfaction. It also helps to create a novel environment that calls for the psychological recognition. III. Individuality This is another important feature of logo design. The feature of this principle lies in the uniqueness and novelty of ogos that emphasizes the recognition feelings of the audience. From the perspective of the consumer, only individuality can arouse their interest. Basically, it is only by individuality that audiences trust their tuition in choosing a certain products. IV. Aesthetics What logos represents is the aesthetic image of a product or an idea. This includes the images obtained from the different sense of feelings: hearing, touching, sight etc. This principle calls for the vivid aesthetic image of a product and improve the artistic taste of consumers. In the meanwhile, this also helps to build up a psychological satisfaction. Look at the following design: Obviously, the purpose of this designer is to highlight the hairstyle of the lady under the umbrella. Here, the half-transparent umbrella gives the audience an imagination beyond the picture itself. What they are strongly feeling is the aesthetic atmosphere that is hidden by the umbrella. In this way, the designer successfully conveys this feeling. 3. Visual effects and logo design Logo design, the purpose of which is to attract the attention of the audience, is in its nature a manifestation of the usage of visual effects to arouse the cultural feelings of the audience at large. This can be understood by many modern designers and artists. Take Barbara Kruger for instance, as a contemporary American conceptual artist, she is especially known for her fine art creation in logo designs that convey peculiar cultural sense. Many of her works are characterized by the combination of graphic design and short direct phrases. The advertisement of I shop, therefore I am can be seen as such an example: (Barbara Krugers I shop, therefore I am) Many of Krugers works are direct and are easy to evoke an immediate response. Her artistic style is most typically featured by the use of simple color combination of black and white. The short message that is stenciled on the image is often in white against a red background. The text and image used in the whole picture are unrelated for the purpose of creating anxiety, which, according to Kruger, reflects a kind of fear and uneasiness. Her representative video and film works include Pleasure, Pain, Desire, Disgust (1997) and Twelve (2004). By and large, logo design is a special artistic activity that needs deep understanding of visual effectiveness. Under the modern cultural environment, it is influenced by a series of complicated notions found in aesthetic, literary, political or social philosophy influenced by the creation of contemporary philosophy as well as the new belief of modern society. It has been regarded as the basis of the attempt to describe the features of the modern intellectualism, which particularly focuses on the use of visual device in designing. Culturally, logo design can be seen as a special way by which artists expose their life style as well as their special understanding of art influenced by new philosophical and conceptual development started by modern thinkers. So, in modern logo designing works, such terms as appropriation, humor (other people may use parody, irony or playfulness to refer to this special attitude of dealing with the creation of contemporary art), deconstruction, simulacra, self-reflexivity, eclecticism (or pluralism), pastiche and inter-textuality are what people can find to refer to the characteristics of modern art, which can be seen as specifically impacted by the visual effects of logos designed specifically to achieve concrete purposes. 4. Post-Modernism reflected by visual effects in logo design Visual effectiveness in logo design particularly reflected the post-modernistic perspective in artistic design. Modern critics agree that postmodern artists reject the notion of the fixed, objective nature of a piece of art (Hatuka, Tali, DHooghe, Alexander. 2007). According to this belief, all that is left in postmodern art is difference. Influenced by various sources of philosophical ideas triggered by the revolution of technological innovation, each person in this new age shapes his or her own concepts of reality. Reality, then, becomes a human construct that is shaped by each individuals dominant social group. There exists no center or authority, nor one lone, encompassing objective reality, but as many realities as there are many different individuals with different ways of life and different ways of thinking (Derntl, M., Motschnig-Pitrik, R. 2008). The interpretations by different people are different. No one has a claim to absolute truth; therefore, tolerance of each others p oints of view becomes the postmodernism maxim. As we know, postmodernism is also characterized by the color of the new age, which is featured by the application of modern technological innovation of and language of art creation. Take LaChapelles designing works for instance; if we have a careful look at his Elton John at Home (1997), we can roughly get a clue. In this piece of art, we can be touched by a strong tendency of expressing the chaos in modern family life. Is this a feature of life attitude perceived by the artist? At least, the brightness of the back color can give us a hint. In the picture, it seems that the pealed bananas and the falling apples can not be clearly distinguished as house decorations or the real objects in life. The existence of wild beasts in the house also seems to hint that the core concepts of family life are different from what have been traditionally accepted, or at least there have occurred significant changes. So, on the whole, the post-industrial influences to the life style of modern people ca n be clearly felt in this picture. The fast pace, the bewilderment of modern people are what dominate the characteristics of his artistic creation. (Elton John at Home by David LaChapelle) Postindustrial influence is also reflected in the various sources of impacts triggered by the innovation of technologies, say, the over-complicatedness or over-simplification of images which are made convenient by the adoption of computer technology. The design work of Barbara Kruger best illustrated such a method. In her trademark design, the large-scale photographic works usually cause people think of the post-industrial cultural images which are processed by the use of modern machinery technology (Nelson, H. G., Stolterman, E. 2003). In her 1989 work Your Body Is a Battleground), for example, she employed an oversized image of a models face and divided it into sections, giving the audience a strong visual impact. (Barbara Krugers Your Body is a Battleground) From these cases we can find the fact that logo designing is not an isolated cultural activity of human behavior in aesthetics. On the contrary, logo design at the contemporary cultural context reflects the cultural impacts of the human society as well as the new changes in aesthetic experiences of the modern world. The logo design for both commercial and non-commercial purposes reflect the particular cultural features of the contemporary time. Without the deep understanding of these features, one is not able to fully understand the essence of the specific visual effects of the logo design at the contemporary time (Bevir, Mark. 2000). 3. Conclusion By and large, logo design at the present time is a special artistic activity that reflects the cultural influence of the contemporary time. It specifically pursue the effectiveness of visual stimulation to the sense of sight of the human beings. In logo design, people can find the special feelings conveyed by the usage of various types of visual images. These images can be seen as the products of philosophical meditation of the modern people who have been influenced by the new ideas in life and in thinking. So, in this sense, logo design is not an isolated activity. On the contrary, it is an activity that is closely related to the aesthetic feelings of human race at the present time. It is as well the product of the aesthetic meditation by modern designers as well.

Fire in a Canebrake Essays -- Literary Analysis, Laura Wexler

In her Fire in a Canebrake, Laura Wexler describes an important event in mid-twentieth century American race relations, long ago relegated to the closet of American consciousness. In so doing, Wexler not only skillfully describes the event—the Moore’s Ford lynching of 1946—but incorporates it into our understanding of the present world and past by retaining the complexities of doubt and deception that surrounded the event when it occurred, and which still confound it in historical records. By skillfully navigating these currents of deceit, too, Wexler is not only able to portray them to the reader in full form, but also historicize this muddled record in the context of certain larger historical truths. In this fashion, and by refusing to cede to a desire for closure by drawing easy but inherently flawed conclusions regarding the individuals directly responsible for the 1946 lynching, Wexler demonstrates that she is more interested in a larger historical picture t han the single event to which she dedicates her text. And, in so doing, she rebukes the doubts of those who question the importance of â€Å"bringing up† the lynching, lending powerful motivation and purpose to her writing that sustains her narrative, and the audience’s attention to it. This motivation and purpose are most evident in the quality of Wexler’s writing, made outstanding by her painstaking awareness throughout the text of, firstly, such fundamental things as setting and the introduction of characters, and, secondly, the overarching threads of, for instance, national and state politics, which set the larger stage for the story. In her text, Wexler briefly mentions a prominent figure in the NAACP, Walter White, noting his biting statements regarding the lynching a ... ...lusions—not only in regards to who the lynchers were, but also in regards to the identities of the victims (230), and, worst of all, whether or not the issues central to the Moore’s Ford lynching have been settled, and are past. In these senses, conclusiveness about these issues encourages falseness, precludes justice, and makes the audience let go of things that ought not to be let go—and this, short of the lynching itself, is one of the greatest possible wrongs (244). It is by refusing to conclude, then, that Laura Wexler achieves the greatest success of her outstanding narrative, and is able to successfully navigates the lies and deception of a muddled historical event by adeptly presenting them in the context of larger historical truths. Work Cited Wexler, Laura. 2003. Fire in a Canebrake: The Last Mass Lynching in America. Scribner; 2004. Print